The Event: 'David Bowie Is' Exhibition Announcement at ACMI

Bowie fans Sean & Maddy at the announcement of the ACMI ‘David Bowie Is…’ exhibition 

He was incomparable as Ziggy Stardust and unforgettable as The Thin White Duke. Now the man behind those two iconic musical identities will have his persona explored with David Bowie is, an exhibition curated by London’s Victoria and Albert Museum and coming to Melbourne’s the Australian Centre of the Moving Image (ACMI) as part of the 2015 Melbourne Winter Masterpieces program.

It’s a coup for Melbourne, the exhibition having made its debut in London in 2013 before beginning a global tour that has so far taken in Toronto, Berlin, Chicago and – the only other Southern Hemisphere city to rate a mention – Sao Paulo.

David Bowie, 1973. Photograph by Masayoshi Sukita

The multimedia exhibit pulls together priceless pieces of the artist’s luminous history, from Ziggy Stardust body suits and the Union Jack waist coast designed by Bowie and Alexander McQueen, to never-before-seen personal items including storyboards and hand written set lists, along with Bowie’s own sketches, musical scores and diary entries.

For V&A curators, Victoria Broakes and Geoffrey Marsh, the exhibit is as much an opportunity to consider identity as it is a chance to get a grip on the “real” David Bowie.

Victoria Broakes: “David Bowie is poses the question, ‘what is David Bowie?’, and our approach to the exhibition has been to leave that question open because it invites consideration, not only that we all have different identities, but also that he means different things to different people.”

Along with the main exhibition, ACMI will host a series of events, late-night programs, talks, film screenings and performances to celebrate and put to show the 50-year career of an artist like no other.

The ‘Starman’ costume from David Bowie’s appearance on ‘Top of the Pops’ in 1972 on display at the V&A Museum in London where the ‘David Bowie Is’ exhibition was originally curated.

'David Bowie Is' opens July 16, 2015. Tickets go on sale in November. Registration for pre ticket sales is accessible HERE 

Street Style: Juliette

Juliette, photographed in Federation Square wearing a David Bowie tshirt and  vintage leather skirt.

The Event: Stonefield at Dr Martens Pop-up

Having only recently returned from recording and touring around Manchester, Nottingham and Bristol in the UK, the four Findlay sisters (better known as Stonefield) had the honour of kicking off the first of a series of concerts supporting the Dr. Martens #STANDFORSOMETHING pop up store in St Kilda.

Set in the intimate venue of LuLu White’s dive bar, punters were granted access to the gig after entering a draw for tickets on the Dr. Martens Australia/New Zealand Facebook page.

Stonefield treated an enthusiastic crowd to a seven track set and the sister’s '70s inspired rock aesthetic was a perfect match for the interior of LuLu White’s: the gutted-out dive bar  is located in the former home of the Tongue and Groove night club on Grey Street.

Hitting the stage at 8:30pm, Stonefield, along with the group's live drummer, Manny Bourakis, played a set that included both new and old releases,  including Through The Clover,  the single that had the band nominated for a Triple J Unearthed award in 2010.

The #STANDFORSOMETHING pop up store runs from Thursday 19th through to Sunday 22nd of June with doors open to the public at 11am. Free coffee is being served by Code Black Coffee Roasters and complimentary hotdogs have been provided by the team at Massive Wieners. 

The Event: Dr Martens Pop-up Store and Gig Series

Sticky St Kilda pub carpets, rock bands and Dr Martens are a familiar Friday night trinity for anyone who’s already lived through the ‘90s. Second time around, the shoes that were once a symbol of rebellion have again become an on-trend fashion statement.

But while the meaning behind the shoe brand’s wear may have altered, its affiliation with music – and Melbourne’s live music home of St Kilda – is as strong as ever courtesy of the brand's #standforsomething pop-up store and intimate concert series happening next week in the suburb that started it all.

Band of Skulls

Starting Monday, Dr. Martens will play host to three bands on three successive nights as a loud and dirty lead up to the opening of the four day pop-up store.  

Stonefield (Monday, June 16), Kingswood (Tuesday, June 17) and English alt-rockers Band of Skulls (Wednesday, June 18) will be the ideal opening salvo for the fans that have been able to secure free tickets, only previously available via ballot. At the pop-up store, you'll find a selection of old favourites, once favoured by Melbourne Sharpies throughout the 1970s, as well as limited edition #standforsomething styles and key seasonal footwear.

The #standforsomething pop-up store runs from Thursday 19th –through to Sunday 22nd June at the Lulu White Bar on Grey Street, St Kilda.

Stonefield

The Event: Men's Biz Store Launch

Proof of the enduring rebirth of niche men’s retailing was there for all to see within the historic context of Melbourne’s Royal Arcade last night. E-tailer Nathan Jancauskas took a cut-throat razor to the red ribbon opening of Men’s Biz, a bricks-and-mortar store designed to showcase the retailer's range of high-end men’s grooming and shaving products that – until now – have only been accessible via the company's online platform.

Nathan Jancauskas

Designed by interior architect, Sarah Cosentino, Men’s Biz runs a chic apothecary aesthetic courtesy of floor-to-ceiling New York subway-style tiles and reclaimed timbers. Brass fixtures and fittings provide the sheen. 

Nathan: “Online is great in so many ways, but we got to the point where we had so many clients wanting to come through our Richmond warehouse to experience the product that we felt establishing a physical space was the next step. So many of the products we have are available exclusively to us, so for men to be able to smell cologne and experiment with shaving creams became essential – and that’s not something that can be achieved with online.”

Shop 49, Royal Arcade, 335 Bourke Street, Melbourne VIC 3000

mensbiz.com.au

The Event: Limedrop Store Launch

Limedrop's Clea Garrick

There’s been a lot of movement in Melbourne’s fashion and retail scene of late, much of it controversial: H&M’s big move in to the GPO that saw displacement of a host of independent retail brands, not to mention this week’s headlines focussed on fashion labour laws and wage debates.

But shifting landscapes also allow for new growth, and the opening of designer Clea Garrick’s first permanent retail space for her much-loved local label, Limedrop, at the base of the Nicholas Building certainly signifies the unfurling of a new frond.

Clea: “This is such an iconic Melbourne creative space because of its continuing history housing artists in its studios upstairs, and we really want to be part of that. It’s our flagship store and, with the big retailers moving in to the Melbourne market, you get this same-same of interiors that – while gorgeous and on trend – sometimes feel that they don’t contain the brand essence.  For us, it was important that the space could be a blank canvas for our collections while maintaining an openness to fun and colour and the idea that anything is possible: we wanted to make that the signature handwriting of Limedrop.”

The expression of Clea’s brand and retail philosophy has resulted in a design utilising the best of the building’s bones – the Art Deco balustrade, curved concrete walls and brass door hinges – while keeping the rest somewhat stripped back. Character is there, of course, in a softening vertical garden and the geometric shapes contained within racks that reach to the ceiling, drawing the eye up to lighten and expand the space.

It is indeed a backdrop well suited to showcase the designs characterised by Clea’s use of electric digital prints and silhouettes that communicate both Limedrop’s contemporary styling and strong sense of playful irreverence.

Clea: “The nice thing about having a retail store is having a sense of permanency. It’s taken a lot of thought, but the result has been well worth it.”

The Event: The Unseen Beatles Exhibition

'Paperback Writer' 1966 by Robert Whitaker

It was a bit of happenstance that brought British-born, Melbourne-based photographer Robert Whitaker in to contact with the Fab Four during their unforgettable 1964 Australian tour. Having snapped manager Brian Epstein for a piece later published by a journalist friend in the Jewish News, Robert went on to – not only meet – but become established as the in-house photographer for Epstein's NEMS Enterprises, at that point managing a host of big ‘60s music names: Gerry & The Pacemakers, Cilla Black and the Beatles among them.

But it was with the Beatles that he found his niche, travelling with the band for two years to shoot the mega group both on and off the stage, capturing them in moments of super stardom and off-time intimacy.

For the next month a series of Robert’s works will be in display at Mario’s Café, the local Melbourne spot once frequented by the photographer. Pictures begin with the 1964 Aussie gigs and end with his iconic shot of the meat-clad Beatles – the infamous ‘Butcher’s Sleeve’.

On show until June 29, these rare signed photographs will be on display and up for sale.

The Unseen Beatles, May 28 until June 29, on show at Mario’s Café, 303 Brunswick Street, Fitzroy.

John Lennon in Anchorage, 1966 by Robert Whitaker

The Beatles in Cliveden, 1965 by Robert Whitaker

The Event: Cherry Rock Festival

The Meat Puppets (USA) headline Cherry Rock 2014 

The crisp autumn weather couldn’t have been more perfect for Cherry Rock. Although sadly 2014 marks the last year that this one day festival will be held in AC/DC Lane, thanks to inner city noise restrictions. A block of apartments currently under construction less than 20 metres away from local rock institution Cherry Bar.

Kicking off at the very civilised time of 12pm with a set by The Harlots, Cherry Rock 2014 promised 13 bands on 2 stages with no crossovers. Making it easy to move from stage to stage and catch all of the bands on the bill.

The Nation Blue

Things really started picking up speed once mid afternoon hit and the hard rock loving audience was treated to performances by Bittersweet Kicks, The Nation Blue (replacing an absent Don Fernando) and one of Makers of Melbourne’s favourite local acts, Redcoats. The band closing their set with the crowd favourite ‘Dreamshaker’.

Redcoats

The two international headliners didn’t disappoint, with the narrow CBD laneway filled to capacity to witness California's Brant Bjork and punk legends Meat Puppets, who played their first Australian gig in over 20 years. The Meat Puppets treated the well-behaved crowd to a setlist of classics, including ‘Plateau’ and ‘Lake of Fire’, famously covered by Nirvana during their 1993 MTV Unplugged special.

Brant Bjork

Both Cherry Bar and Cherry Rock festival have long supported local music and the 2014 lineup was no exception. With a majority of artists on the bill from Melbourne, the continued success of the event illustrates that with careful planning and a team of organisers who have an obvious passion for live music, rock fans will continue to buy tickets to see live shows. It’s a blueprint that a few promoters in this country could learn from.

Drunk Mums

Child

Chris Russell's Chicken Walk

Meat Puppets

King of the North

The Event: Jenny Bannister Retrospective

Jenny Bannister is standing surrounded by racks of clothing in the front room of her St Kilda home. But what at first looks like a slightly over crowded sample room is anything but: hair is its customised tease, Jenny one by one picks out a host of outfits once worn by a who’s-who of ’80s and ‘90s pop stars.

There is the two-piece worn by Tina Turner with its fitted black jacket and matching kick-pleat skirt; the black collarless jacket Kylie Minogue donned for her I Should Be So Lucky single cover; the immediately recognisable velvet jacket worn by Australia’s late ‘80s answer to Bananarama, the Chantoozies.

And every piece comes with it’s own story.

Jenny Bannister Plastic Tutus, Big Top Sportsgirl Parade 1979. Photograph by Rennie Ellis

Jenny: “Helena (Christensen) used to stay at the Como with Michael Hutchence and used to love going up and down Chapel Street; I told her where to go when it came to all the vintage shops. Kylie Minogue turned up at my house in Port Melbourne to buy after finding my clothes through doing magazine shoots. Deborah Thomas was one of my customers. Kate Fitzpatrick when she was going out with Imran Khan came and bought a whole leather outfit. I think she did a vodka ad in it…”

But the walk down memory lane is more than just an indulgence for the designer who headed her own label from its launch in the mid-1970s to its wind up in 1996 – it is the prelude to this Tuesday night’s fashion retrospective, an event designed to showcase the pieces created by the designer over four decades.

'Untamed Creatures Run Amok' - Talisa Soto wears Jenny Bannister, Vogue Australia April 1984

Some 60 outfits will be paraded on the night in a charity event birthed by Jenny’s friend-in-fashion, the stylist Philip Boon.

For Philip, the event is an opportunity to bring to light a cannon of work significant enough to have found placement in museums both in Australia and overseas: as well as having pieces bought by Christies and The Victoria & Albert museums in London, Jenny lays claim to the title of most collected Australian fashion designer by our own National Gallery of Victoria.

For ticket buyers, it’s a chance to experience Jenny’s eclectic-punk fashion sensibility in all its eccentric glory. And it is eccentric, from the clear plastic punk rock ball gown that wouldn’t appear out of place in a Vivienne Westwood runway show, to the reef bikini pieced together with gold scallop shells worn by the 1978 Miss Universe finalist that wouldn’t seem out of place on a Bond girl.

Jenny: “The design, it comes straight from my imagination and in to my hands. For me it’s about creating something amazing that doesn’t look like anything else and that’s why I live on this planet.”

(L-R) Stylist Philip Boon & Jenny Bannister

But being an “art clothier” (“someone coined the term for me in 1980 when I showed at the gallery of NSW”) doesn’t always gel with the economic realities of commercial design. Though energised by fellow designers and customers who gave Chapel Street its title as Melbourne’s top retail shopping strip throughout the 1980s and in to the early ‘90s, changes to the industry meant Jenny – since shutting down her business – is more than happy to play her hand at more artistic design collaborations.

Jenny: “It was really good earlier but towards the end… The global fashion landscape has changed. It’s much more slick. Right up until the end I had customers who understood the cost of making a dress that was unique and flattering and different, but those sorts of customers are becoming fewer. Now I design for myself. The commercial Jenny Bannister is gone. I can go back to my early roots and be an artistic fashion designer.”

But first there is the retrospective. It will be, both Jenny and Philip agree, a huge night. Along with the clothing strutted to music will be an auction of one of Jenny’s one-off pieces, an art auction by venue hosts, Deutscher and Hackett, and a concert by – who else? – The Chantoozies.

Oh, and for the grand finale? Philip has made sure the runway is large enough that Jenny has space to shake her groove thing following the finale.

Philip Boon Presents… Jenny Bannister: A Retrospective Fashion Show held in conjunction with Prahran Mission and Deutscher & Hackett gallery. Held Tuesday, May 20, at 7pm. Tickets: $95. 

Tickets available through Try Booking

The Event: Opening of Rue & Co.

The pristine 'Paris' end of Collins street is not typically a late night hot-spot, but Thursday night saw this usually quiet end of the CBD overrun by the bad and the beautiful, with the VIP opening of pop-up street-food quarter Rue & Co.

Jimmy Grants by George Calombaris, Kong BBQ by Chris Lucas, and St Ali by Salvatore Malatesta will now ply their own unique menus from sister shipping container kitchens based at 80 Collins street. The soiree took place in the fairy-light-decorated courtyard, where invited guests were plied with a delicious selection of food and champagne, topped off by killer espresso martinis designed by champion barista Matt Perger.

St Ali executive chef Andrew Gale sees the cult coffee institution's taking part in Rue & Co. as a great opportunity. 

“We’re rubbing shoulders with the high flyers on the restaurant scene. We’re a café, we’re a separate entity, but now [café’s] are starting to raise our game. The food is getting there."

For Kong BBQ, this pop-up gives Executive Chef Ben Cooper the first chance to introduce the soon-to-open restaurant's food to the public, while Jimmy Grants will bring the best souvas from the popular Fitzroy restaurant to Melbourne city's white collar set.  

Rue & Co. is now open to the public (Friday 2nd May) from 7am.

St Ali head chef Andrew Gale (R)

Celebrity Chef & owner of Jimmy Grants, George Calombaris with guests

Chicken wings from Kong BBQ

Kate Campbell Stone

Salvatore Malatesta & Manager of St Ali South, Joanne 

The 35 metre high artwork by renowned local street artist Rone at 80 Collins Street

Espresso Martinis

The Event: The Menske Project

Like all great ideas, Menske began with identification of a commercial niche that appears largely to have been ignored: that of male-focussed retail. The bloke-friendly pop up above Allpress’ Collingwood roasting house and cafe has been pulled together by men’s apparel designer Courtney Holm. The inspiration? A recent New York trip that saw Courtney stumble upon a space devoted entirely to collation of designs for men.

“I try really hard to avoid using words like ‘craft’ and ‘market’,” Courtney admits, explaining that even in creative Melbourne the majority of artisan-style pop ups focus on a more feminine aesthetic. “We just wanted to create a space where guys could come and find a whole group of brands that appeal to them.”

Certainly there is nothing of the cutesy about it. Instead the majority Melbourne-based brands run the gamut from cult wallet maker, Bellroy, to shoe designer &Attorney, men’s skincare product from boutique brand, lief, and striking haute sport-style apparel from Courtney’s own label, Article.

Coffee is plentiful and Gertrude Street menswear retailer Pickings & Parry has its barber on loan for the weekend.

But the pop up’s creation is not all about retail. For Sydneysider Courtney, the event is equally designed to cultivate relationships between makers, ‘Menske’ being a Nordic word with a textured meaning: a noun, if you like, to describe honourable and courteous intent among Mankind.

“There can be a kind of protectiveness around the fashion industry that I don’t really understand,” she says, explaining her approach while offering an insight behind the name. “I just think it’s better for everyone if we can get together and share our energy and our ideas.”

Menske is on at 84 Rupert Street in Collingwood this Saturday and Sunday, April 12 and 13. Open from 11am-8pm Saturday and 11am-6pm Sunday. The next series of Menske pop ups are scheduled in Melbourne this coming August and December.

The Event: VAMFF Offsite Runway, Nixi Killick

A stand out of the 2013 Melbourne Fashion Festival graduate’s parade, self proclaimed “future imaginer” Nixi Killick (with a little help from a successful Pozzible campaign) kicked off the 2014 Virgin Australia Melbourne Fashion Festival with an offsite runway show at warehouse-cum-art gallery, Toot Fanute.

Half fashion parade, half art installation, a handful of models worked their way around the crowded event space, posing on foil covered boxes as a keen, fashion-forward audience scrambled to look on. 

The full house was entertained pre-show with a short set by singer Nai Palm from Grammy nominated band Hiatus Kaiyote. Show over, attendees were given the opportunity to purchase some of the more wearable parts of the Nixi Killick "bio psychedelic streetwear" collection -  a selection of t-shirts, hats and drawings available to purchase from a makeshift merch stand.

The young Footcray-based designer's business savvy in using her collection launch to sell a range of accessories was admirable. Most of the unisex streetwear shown during the energetic parade was more couture than prêt-a-porter, making it challenging for the average Melbournian to wear. 

Designer Nixi Killick (second from right) & her event team

Makers Of Melbourne Fashion Panel - VAMFF Cultural Event

Makers of Melbourne kicked off its annual series of men’s style discussions with a bang on Tuesday night, hosting tailoring, literature, design and arts luminaries from London, New York, Melbourne and Sydney – each with a unique take on the historical, social and cultural context of men’s fashion.

Journalist Sarina Lewis from Makers Of Melbourne moderated the style panel discussion, 'Fashion Maketh The Man', hosted by the Australian Centre for the Moving Image (ACMI), as part of the 2014 Virgin Australia Melbourne Fashion Festival cultural program.

Panelists included Roger Leong, curator fashion and textiles from the National Gallery of Victoria; Sydney-based bespoke tailor John Cutler; fashion and denim designer Roy Christou; celebrity stylist Philip Boon; plus online via Skype, author of 'The Coat Route' Meg Lukens Noonan (USA), and from Grenson shoes, Tim Little (UK).

A few curious facts we took away from the 90-minute panel discussion:

1.     Man’s current obsession with body sculpting finds an echo in the original Dandies who padded the breast and shoulders of their suits to provide the classic ‘V’ shape, a look to denote masculinity.

2.     The term ‘bespoke’ originates from the traditional idea that a fabric has been spoken for by a client – be+spoke. It is much more than the idea of made-to-measure, pointing to a relationship and exchange between tailor and client.

3.     Buttons changed, not only approaches to tailoring, but the very fabric of society: the importance of children in the modern family is said to have occurred as a direct result of reduced baby mortality rates courtesy of clothing and blankets that could be buttoned for extra warmth. Apparently we only grew attached when we knew we could keep ‘em alive!

Keep abreast as Makers of Melbourne continues throughout the year to profile the cultural cogs in the Melbourne landscape – personalities that influence how we dress, and how we think of ourselves and our city.

The Event: Future Music Festival 2014

­Not even temperatures ­­of over 30 degrees could keep the dance music fans away from Melbourne’s leg of the Future Music Festival, held on Sunday the 8th of March. Setting up temporary camp at Flemington racecourse, Future punters were treated to scorching afternoon sets by Pharrell Williams, last year’s Triple J Hottest 100 winners Macklemore and Ryan Lewis, Tinie Tempah and Melbourne’s own Cut Copy.

As the sun started to set, London based outfit Rudimental got the hot and bothered crowd moving and inspired a mass sing-along to their hit ‘Feel the Love’. They were followed up by headliners Phoenix, who had everyone dancing as they played their way through a setlist of songs including hits from 2009’s ‘Wolfgang Amadeus Phoenix’ and last year's  ‘Bankrupt’.

Pharrell

Cut Copy

Macklemore & Ryan Lewis

Rudimental

Tinie Tempah

Phoenix

The Event: NGV Announce The Fashion World of Jean Paul Gaultier

He has dressed some of Australia’s most famous women in some of the fashion world’s most outrageous looks and now the designs of Jean-Paul Gaultier are coming to Melbourne in an elaborate showcase of his work on exhibit at the NGV from October: The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.

The exhibit will feature more than 140 of his creations, including never before seen costumes worn by Madonna and Beyonce alongside pieces lent by Kylie Minogue for viewing only by the Melbourne audience.

On the announcement of the exhibition, Makers of Melbourne spoke to curator Thierry-Maxime Loriot.

Jean-Paul Gaultier exhibition curator Thierry-Maxime Loriot at the NGV media launch 

The exhibition has so far shown in Montreal, Spain and New York, and will be visiting Paris after it comes to Melbourne – what brought his work here to Melbourne?

It’s really the fact that the museum is fantastic and the programming and the team at the NGV is very avant-garde. The space is amazing and it’s nice to share with a country that has the same open vision.

Tell us a little about the scale of the exhibition.

It’s been five years. I started work on the archives in 2009 and the exhibition itself has been travelling since 2011. To bring it together took two years of going through his archives which was very exciting but also terrifying – we had to choose from thousands of pieces and pick only the 140 or so that are on exhibit. But it’s been a unique opportunity: you would see his dresses in magazines and movies and then to see them in front of you… It’s like viewing a Picasso painting in a book and then experiencing it as you would in a gallery space.

'Metamorphose Gown' worn by Cate Blanchett to the Golden Globes 2005

Can you pick out any special pieces that speak to you?

There are so many dresses and pieces that Gaultier created that are so fantastic when you look at the craftsmanship – incredible couture pieces that are beaded and embroidered – but there were certain pieces I was dying to exhibit that we have held on to until we came to Melbourne: the dress Nicole Kidman collected her Oscar in for The Hours – the same with Kylie Minogue’s costumes. I knew we were coming to Australia so I kept them as a surprise.

What was Jean Paul like to work with?

In one word? Fantastic. What you see in pictures – that he is always smiling and happy and full of ideas – is really what he is. What you see is what you get: there are no surprises with him. He is a fantastic storyteller with so many incredible tales to tell of the relationships and inspiration behind each of his collaborations

Gaultier dresses on loan from Kylie Minogue

Will there ever be another Gaultier exhibition such as this?

I think it is something that can only be done once because even at first he never wanted to do an exhibition of his work. The form he works with is the human body so he prefers to see his work on real humans rather than mannequins. He believes normally exhibitions in museums are for dead artists, not living designers. Certainly I consider Jean Paul an artist, even if he considers himself an artisan.

The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk will be on show at the NGV from October 17, 2014, until February 8, 2015.

Jean Paul Gaultier 2014© 2014, Stéphane Sednaoui. All rights reserved

Andrej Pejić 2013 - Confession of a Child of the Century collection Jean Paul Gaultier Haute couture, autumn- winter 2012-13 © Alix Malka

Makers Of Melbourne - VAMFF Cultural Event

As part of this year's Virgin Australia Melbourne Fashion Festival, Makers of Melbourne in collaboration with Beggar Man Thief will be holding a panel discussion, Fashion Maketh the Man. For 90-minutes on Tuesday, March 11, some of the biggest names in men's fashion will gather at ACMI to dissect how history, culture and social change influences men's style. Listen to Sydney uber tailor John Cutler, Grenson CEO Tim Little, stylist Philip Boon, author Meg Lukens Noonan and NGV curator International Fashion & Textiles Roger Leong - among others.
Champagne on arrival. Tickets are $25, limited to 70 seats. Arrival at 6pm for a 6.30pm start. Contact Sarina for more information & tickets:

(m) 0488088290 (e) sarina@beggarmanthief.com.au

Event: Royal Botanic Runway

The inaugural Royal Botanic Runway transformed the majestic Royal Botanic Gardens Melbourne into an international runway event on the evening of Thursday, 30 January 2014.

This charity event featured world-renowned Australian designers: Akira Isogawa, Aurelio Costarella, Collette Dinnigan and Martin Grant, who each produced stunning pieces to be worn by over sixty local and international models. 

But it wasn't just on the catwalk that the best of Melbourne style was evident with the boys also turning out to support the charity fashion parade.

Director of fashion label Lui Hon, Luka Maich wearing Rick Owens sneakers

Daniel in Fendi

Trent in Crockett & Jones

Tim wearing vintage oxfords

Anderson wearing sneakers by Balenciaga

Event: So Frenchy So Chic

So Frenchy So Chic has grown to become one of the highlights of Summer in Melbourne.  Werribee Mansion hosted the ultimate garden party last Sunday, featuring the best of French music, food & wine - the perfect event to display why even when taking it easy, the French still retain that special je ne sais quoi. 

Steve wearing bespoke derbys purchased on a trip to Italy

Anthony wearing Sebago boatshoes

French R&B musician Féfé

Will wearing his father's vintage brogues

Oliver in his well loved boots by Mosson Bricke

Josh in Lacoste leather sneakers

Ludlows Neckwear Launch

Australian based label Henry Carter launched their AW13 range of Italian handmade ties at boutique tailor Ludlows this week. Ludlows Director Richard Phan invited Shoemakers of Melbourne along to the launch where some of Melbourne's best dressed men were in attendance.

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Aaron wearing Crockett & Jones Grasmere derby

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Gerry wears Alfred Sargent Benson Balmoral single monks

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Tim in British handmade brogues purchased through London tailor Charles Tyrwhitt

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Mac in Crockett & Jones

Christian Kimber Launch

 

Christian Kimber in loafers of his own design

Nathan in Loake Oxfords

Andrew in Crockett & Jones Monkstraps

Nathan in bespoke Monkstraps

Maleik in Christian Kimber loafers

Richard in Crockett & Jones

Dennis in Herring Monkstraps

Last night saw some of Melbourne's best dressed men gather at Henry Bucks on Collins Street to celebrate the launch of Melbourne based shoe designer Christian Kimber's debut footwear collection.