Makers of Melbourne

Welcome to Makers Of Melbourne – the ‘go to’ guide for our technically integrated age.

Makers Of Melbourne has been created to consume and assimilate Melbourne culture. We're male focussed, but not male specific, sorting through the dross to weed out the creative stars, standout events and stylish folk that make this city unique. 

MOM aims to embrace all facets of what makes this city a creative hub. Our aim is to inform without condescending – to keep you abreast of what’s going on without regurgitating Press Releases & to seek out this city’s sub cultures to give our readers the inside scoop on what’s REALLY happening with the people who make Melbourne Melbourne.

Filtering by Tag: Fitzroy

Interview: Sebastian Costello, Bad Frankie

“There are distillers who brew excellent product in Melbourne, and I want to show it off to the world.”

-       Sebastian Costello

It is common to become intoxicated by the discovery of food and drink tested and tasted within the cultural and geographic bounds of its origin: pintxos and white sherry in the cobblestone back streets of San Sebastian, panzanella salad in some Tuscan trattoria, or a dosa straight off the cart in the laneways of Chennai.

Perhaps what’s slightly less common is bartender Sebastian Costello’s reaction to his own journey of culinary discovery. Excited by the experience of drinking his way through bourbon in Nashville and tequila in Tequila, Sebastian took up the gauntlet these two regions remain unaware was ever thrown.

Sebastian: “We came back and I thought to myself, ‘we’ve got whiskies from Tasmania, gins from the Yarra Valley and the Margaret River – let’s do this, let’s show Australian spirits to the world.”

The end result is Bad Frankie, an off-Smith Street bar showcasing more than 150 spirits representing 40 of the 50-or-so boutique distilleries currently operating within our border.

It’s a quirky concept. Australian-only spirits, beers and wines matched with what Sebastian imagines as our national snack – the humble jaffle.

As concepts go, it is undoubtedly one that could come off as gimmicky in the hands of a business owner with less honest intent and more commercial drive.  Instead, the space (with the help of interior designer Sally Holbrook) evokes all the colloquial warmth Aussies have for the idea of the small town watering hole.

Sebastian: “When you’re in Tequila the Jose Cuervo distillery is right there on the corner, and you’re eating tacos because that’s what you eat and it’s awesome because you’re there – no one’s trying to sell it. They don’t have to. This is what they do.”

The key to the realisation of the Bad Frankie vision is in Sebastian’s absorption of that notion. There is no hard sell, here, instead just a real knowledge about the birth of Australia’s boutique distillery industry and its importance in our modern food history.

Certainly he relates the dates and happenings as if he had lived them. Of Van Diemen’s Land Governor John Franklin’s outlawing of small-scale pot stills in the 1800s that saw the death of the boutique distillery industry in Tasmania and eventually – when the law was passed in to Federation law in 1901 – across Australia. Of the 1992 overturning of the archaic law upon the efforts of Tasmanian Bill Lark, founder of Lark Distillery.

As of the offering, he’s not afraid to be a little parochial in the tastiest possible way. Like the inside joke that is the jaffle lamington, and a cocktail list that reimagines the Sunday roast as a strangely tasty Old Fashioned championing Gun Alley whisky.

Sebastian: “The response to what we’re doing is really great. Everybody loves it. Everyone’s worried about their carbon footprints and people are keen to taste product we can trace to just around the corner. We wanted to give them that opportunity."

badfrankie.com

141 Greeves St, Fitzroy VIC 3065

Telephone 03 9078 3866

Interview: Christopher Pickings

“Global economics and the way things are happening in the world are changing people’s perceptions on what quality is. People are wanting to see the craft, to see an actual basis of quality behind something that’s expensive.”

                                                        -       Christopher Pickings

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Legitimacy is written all over Chris Pickings. Born and raised in Newcastle, England, he looks every bit the retro incarnation of the old-school butcher’s son, outfitted in his heavy denim and William Lennon boots, a living expression of the working class style encapsulated in his new men’s store, Pickings & Parry.

But – unlike so many of today’s tattooed, moustache-twirling set – Chris proves the rare exception: a person less possessed of romantic notions of nostalgia than a man preserving the legacy of a family that continues to espouse the traditional values of a bygone era. 

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Chris: “My grandfather was a train driver who became a butcher with a shop in a village called East Boldon, a business that my father took over, that my mother ran until she passed away six years ago and that my sister and I continue to run. It makes no money but it’s been in the family for 60 years, it employs people, and so we keep it.”

His words reveal much, of both his working class roots and the strength of character run through with a seam of integrity that serves as the foundation of his personality – a characteristic that harks back to his grandfather’s time. 

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Perhaps it was the early death of his father that instilled such strong personal values: lost to him at the age of 10, Chris spent his teenage years absorbing the legacy that was left to him, continually flicking through his father’s collection of ‘60s motoring magazines and adopting his wardrobe of leather jackets as a way of being close.

It is easy to imagine all those years of immersion have found themselves expressed in Chris’ store, a showcase of classic work wear styles given a modern twist. And all of it set against a backdrop of old-school barber’s chairs, shears humming to the buzz of the 50-year-old Faema E61 coffee machine on the shop counter.

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Chris: “The store is a working class gentleman’s club and I guess that’s what I’m trying to recreate – to change the buying culture back to that idea of working hard for the money and spending it on good things that last.”

He points to his aforementioned William Lennon boots.

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Chris: “These have been made in the same way for 100 years and the great granddaughter of the founder is still the sales person for the company. It’s the same family, the same factory, the same nailed soles.”

For Chris it appears there really is no compromise and you can’t help but feel his last are words imbued with more than a little personal meaning.

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Chris: “In the past people would think nothing of buying a Louis Vuitton handbag just because of what it was, not caring how it was made and where it was made. But that’s like an empty promise. If you buy something that is going to age with you and you can hand it on to your kids… well, those are the things that have a connection to who you are.”

Pickings & Parry

126 Gertrude Street, Fitzroy

ph: (03) 9417 3390

e: info@pickingsandparry.com

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